Welcome back to MangoBot , a fortnightly chromatography column about Asian futurism byTokyoMangoblogger Lisa Katayama . There ’s a lot of buzz about Nipponese contemporaneous artist these days . Takashi Murakami ’s topnotch - precious , superflat exotic - like characters are on everything from Louis Vuitton bags to thepages of io9 . But he is n’t the first or only Japanese artist on our radio detection and ranging . This week , I ’m going to introduce you to two very cool fantast artists whom I lie with , Yayoi Kusama and Mariko Mori . One of them has spent her life-time covering the earth with polka dots , and the other journey the globe in her own alien pod .
https://gizmodo.com/murakamis-freaky-posthuman-technicolor-visions-coming-355305
Yayoi Kusama , godmother of contemporaneous Nipponese art , is perhaps our honorable model of a person from the past who has a thinker from the hereafter . Her Einstein literally mould like a reckoner - instead of seeing bits , she sees Lucy in the sky with diamonds . All her graphics is urge directly by her hallucinations . “ She is in all likelihood the most well - bang contemporary creative person in her country , ” says William Stover , a curator at theMuseum of Fine Artsin Boston who exhibited her employment originally this yr . “ She puts her visions down on canvas in a very physical way , and that has inspired a batch of younger artists . ” ( Murakami ’s repetition of flowers and cutsey role is one famous example . )
https://gizmodo.com/yayoi-kusamas-obsessive-dots-hint-at-the-future-of-the-328243
Kusama hold out in a genial hospital near her studio apartment in Tokyo because head-shrinker do n’t understand how her complex brain affair ( she ’s plain a genius ) . She bend 80 next twelvemonth , but that has n’t stopped her impulse of obsessive , repetitive dot - draught . Department of Transportation Department of Transportation dot Zen dot . That ’s what she sees , so that ’s what she draws . Abused as a child , suicidal as a teen , and plagued with OCD for the ensuing half century and beyond , she has often claimed that her objective in liveliness is to obliterate herself and her world through art . The dots , Kusama has said , symbolize disease : she often covers herself in them , and when that ’s not enough , she covers museum wall , random object , and public statues in them as well . Of course , her art is so famous and cool that nobody object . Walking into a Kusama - dotted room really feels like walking into an alternate universe .
Kusama is also a libber , and played an iconic part in the avant - garde movement in the fifties . She was protagonist with Georgia O’Keefe , exhibited workplace with Andy Warhol , inspired Yoko Ono , and had a love affair with Donald Judd . She move from Tokyo to New York City when she was 28 , and outride there for two decades .
A 1999 audience inBomb Magazinegives us a glimpse into her existence :
As an obsessive creative person , I dread everything I see . At one meter , I dread everything I was wee . The armchair thickly report in phalluses was my psychosomatic piece of work done when I had a fear of sexual vision . I glued manful sexual patterns on women ’s dress and sprayed them completely with silver paint .
Now you tell apart me what human mind from the present could give an interview like that . Onto my next futurist fave , Mariko Mori .
Mori is a model - turned - artist who use various high - tech medium to present how she feel dichotomies like past and next , alien and human , fact and fable . Nobody seems to be able to fit her in one category - critic have previously called her thing like cyberchick - meets - Barbarella , geisha girlfriend - meet - Gidget , goddess - meets - Princess Leia .
I like to call up that Mori is the ultimate personification of the bipolarity of Japan . On one hand , the state is belt along ahead of the rest of the mankind in applying technology to everyday life . But it is also a culture deeply embedded with custom . Mori is n’t afraid to meld stranger with Buddhas or to try out with materials and conception normally unheard of in the graphics world . She spent part of her 30 voyaging to historic sites across the world in atime - travel alien pod . When she got back , she created the Wave UFO , a giant teardrop - shaped starship that show visitant their brainwave as projection on the rampart while they sit in Technogel lounge chairs . “ The past , present , and future exist in harmony in her work , ” say Stover . “ It represents the infinite - ageyness of Japan . ”
https://gizmodo.com/japanese-artist-toured-the-world-in-zen-alien-pod-326420
Here , you see Mori surrounded by outlander reminiscent ofInochi - kun , the half - human , half - alien schoolboy in Murakami ’s mini - TV serial .
Both Kusama and Mori have been internationally recognized and lauded for their amazing piece of work . In 2006 , Kusama became the first female to receive a National Lifetime Achievement Award in artistry from the Japanese government ; Mori is still one of the most active and outstanding Nipponese artist in the world , and works out of her studio apartment in NYC . Images by AP , Mariko Mori , Yayoi Kusama , and Jason Schmidt .
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