Six years ago , David Cope destroyed one of the domain ’s most gifted composer . Her name was Emmy , and she ’d write thousands of musical scores that were indistinguishable from classics by Mozart . But Emmy ’s younger , brighter girl named Emily lives on .
David Cope is an emeritus professor at University of California . His last art object of euphony authorship software , Emmy ( expanded from EMI , or experiment in Musical Intelligence ) , was set back six age ago in a wake of tilt . Today , his follow - up Emily Howell attempts to do what Emmy could not : Write original , mod music , rather than only recreate the panache of a bypast era .
Miller - Mccune’sfull storyon Emily and Professor Cope is riveting , not only because it includes snippets of Emily ’s original compositions , but because of its brainwave into the future of typography — namely , that human composers will bank upon car for tasks once deemed originative .
In fact , Cope has reveal that one unnamed soda grouping has already signed him to help write unexampled material . And while it ’s hard to have Man ’s impend artistic obsolescence , see at the bright side . Philip Glass will be kicked to the curb in no metre . [ Miller - Mccune ]
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